Golf IV was conceived as a group of (four) large-scale objects, making a unique whole. Each of them is an emblem of hypocrisy or death. They are: The slice of cake as the image of affluence and easy-going attitude epitomized in Maria Antoinette’s famous sentence “qu’ils mangent de la brioche”; the kitsch representation of the dolphin riding a wave, with a tear in his eye, pointing to our faked concern for ecological issues; the nuclear mushroom, and the white human scull (“white death”). Placed on each of these four objects, is a small figure of golf player (representing four positions of the golf swing), as a reference to the ”sport of the rich”, that elegant companion of brutal capitalism which is going to do us all in. When displayed, the four emblematic objects, blown up to gigantic proportions, should be crowded together. That way, they would have greater impact on the viewer and would be comprehended as one complex piece, a sort of assemblage. My aesthetic approach here is deliberately naïve and narratively literal, while the use of different materials and surface treatments (fluorescent paint, white glaze, repulsively decomposing PUR foam reminiscent of cold sweat of death, etc.) has a symbolic meaning. Vojin Hraste about the installation displayed in Diocletian palace in Split.